Stateside Presents

WAVVES

WAVVES

FIDLAR, CHEATAHS

Sat, April 20, 2013

Doors: 7:30 am / Show: 8:30 pm

Crescent Ballroom

Phoenix, AZ

$16.00 - $18.00

Off Sale

This event is all ages

WAVVES
WAVVES
Straight from the dungeons of L.A., Wavves are releasing Afraid Of Heights, their fourth album and first on the Mom And Pop label. Now a duo consisting of guitarist Nathan Williams and bassist Stephen Pope, they sound bigger, brasher, and shockingly professional than ever on Afraid Of Heights that positions the band to take their rightful place amongst the pop-punk gods.You know the story by now. Bored dude in his parents' tool shed-turned-room with no insulation and a record stuck to a hole in the wall to keep the mice out turns on a four-track recorder, fucks around and ends up with two of the oddest, noisiest and downright catchy albums of recent memory. Those two records (the eponymous Wavves the eponyymous Wavvves) were winningly, messily chaotic—grand on a small scale, but not necessarily world-beaters. Which is why when Williams, then solo, linked up with erstwhile Jay Reatard sidemen Stephen Pope (bass) and Billy Hayes (drums) and busted the door down with the stunner that was King Of The Beach, a pop-punk blackout for the DeLonge and Deleuze crowd. After the smoke of King Of The Beach had cleared, Williams and Pope released the Life Sux EP, a testament to the crushing powers of rock n' roll and also ennui. The product of more than a year of writing and recording, Afraid Of Heights expands the Wavves sound while remaining true to the band's original vision—it was created with absolutely no label involvement, a specter that nearly derailed King Of The Beach. Working with producer John Hill (known for his work with M.I.A. and Santigold, as well as with hip-hop acts such as Nas and the Wu-Tang Clan), the band found a willing party in creating what they felt was the truest expression of what they wanted. As for the Afraid Of Heights sessions themselves, Williams paid for them out-of-pocket, explaining his reasoning with, "In doing so, I had no one to answer to. We recorded the songs how and when we wanted without anybody interfering, and that's how it's supposed to be."

Lyrically, Williams took the focus less off of his own melancholy and out into the world, with songs that dealt with crooked preachers ("Sail To The Sun"), relationships ("Dog") and killing cops ("Cop"). Even when he reaches outside his own damaged psyche, Williams is still making Wavves songs, saying, "The general theme of the record is depression and anxiety, being death-obsessed and paranoid of impending doom. I feel like the narration is almost schizophrenic if you listen front to back; every word is important, even the constant contradictions and lack of self-worth. That's all a part of this record—questioning everything not because I'm curious, but because I'm paranoid." That paranoia manifests itself on many of the album's best tracks, such as the spacey drones and bummazoid vibes of the Weezer-referencing, getting-drunk-because-you-can't-bring-yourself-to-care-vibey "Afraid Of Heights," or the string-aided "I Can't Dream," which rounds the record out with the optimistic, "I can finally sleep," before subverting itself with, "But I can't dream." With their biggest and boldest-sounding record yet, Wavves might have finally come into their own, a fully-realized punk rock force in both sound and vision.
FIDLAR
FIDLAR
FIDLAR are slackers at heart. The only thing they really care about is skateboarding; trivial things like doing their homework and making the grade in school have little meaning to them. But when their adopted Vietnamese brother turns up dead after discovering an error in the shipping records at his place of work, FIDLAR begins to suspect something more. Refusing to accept the police's theory of suicide, FIDLAR launches their own investigation, determined to uncover the truth of what really happened to their brother.
CHEATAHS
CHEATAHS
Cheatahs frontman Nathan Hewitt and guitarist James Wignall met eight years ago while working in a Camden pub, and instantly bonded over their shared passion for music and Seinfeld. Nathan had just moved to London from his hometown of Edmonton in Alberta, Canada, while James, originally from Leicester, had moved to the capital after studying in Leeds. Fast-forward six years––each having played in various bands in between––and the friends finally began to work seriously together when Nathan asked James to collaborate on a batch of songs he’d been working on. The musical understanding between the two was instantaneous and they went about recruiting two friends to complete the lineup––bassist and producer Dean Reid, who had moved to London from San Diego, California, a few years before, and drummer Marc Raue, originally from Dresden, Germany.

Following a few tapes and seven inches on various labels, in June this year Cheatahs released their first EP, “Coared”, recorded and produced by Dean, on Marshall Teller Records, of which the NME wrote: “by pushing the hooks and melodies to the fore and not just relying on the “sound”, this new quartet are elevating themselves to be one of the best.”

With songs written by Nathan and James beginning to pile up, the band decided to make a follow up EP immediately. Again produced by Dean, the quartet recorded the bulk of the music in their Hackney studio over a weekend in June. Shortly after, the band supported Milk Music in east London, a gig at which, as luck would have it, Mark and Ben from Wichita were in attendance. The duo were impressed by the set and asked the band if they had any recorded music they could listen to. After hearing “Coared” and the unreleased songs, Wichita offered to sign Cheatahs and put out the newly recorded EP – “SANS” – as their first release on the label. In February 5,2013 Extended Plays will be released in North America. The album combines the two UK releases of “Coared” and “SANS.”
Venue Information:
Crescent Ballroom
308 N. 2nd Ave.
Phoenix, AZ, 85003
http://www.crescentphx.com/