Stateside Presents

THE XX

THE XX

CHAIRLIFT

Mon, April 15, 2013

Doors: 6:30 pm / Show: 8:00 pm

Marquee Theatre

Tempe, AZ

$28.50 - $31.50

Sold Out

This event is all ages

THE XX
THE XX
The xx exist in a time and space of their own making. In 2009 the south London trio’s debut album ‘xx’, quietly made at night over the course of two years, bled steadily into the public consciousness to become shorthand for newly refined ideas of teenage desire and anxiety. Articulated with a maturity beyond their years, its hallmarks were restraint and ambiguity. In the age of the over-share, ‘xx’ was pop with its privacy settings on max.

Three years on, Romy Madley Croft, Oliver Sim and Jamie Smith are back with a new album, ‘Coexist’, and a new perspective. Where ‘xx’ lent in close to whisper in your ear, ‘Coexist’ gazes warmly in your eyes. Much has happened to lead to this point: most pertinently, they’ve grown up.

Following the release of ‘xx’, the trio spent the lion’s share of 2010 far from home, taking their gentle shaping of a new London sound to ears and hearts in America, Japan, Australia and mainland Europe. Critical acclaim was matched by commercial success around the world, before The xx won the UK’s prestigious Mercury Music Prize. With all the successes and new experiences of that intense year and a half, a period away from the stage and studio was inevitable. In late October 2010 The xx returned from tour for some time apart, and normality.

“All of our friends had been to university and left home,” says Romy. “We really wanted to do that natural thing that you do when you go to uni or grow up.” All three moved out of their family homes within two weeks of being back. They made up for lost time with friends, hung out and embraced a summer of festivals and shows that Jamie was booked to DJ. “We were his groupies,” laughs Romy.

Previously cast as the quietest of the three, Jamie became the public face of The xx in 2011. In-between DJ gigs, he focused on growing his production skills, developing a distinct sound and presence. His remix of Adele’s Rolling In The Deep, re-imagining of Gil Scott-Heron’s final album on ‘We’re New Here’ with its defining single I’ll Take Care Of U, and his debut solo single Far Nearer set him apart as a highly regarded producer in his own right. That position was cemented when Drake asked Jamie to produce the title track of his album ‘Take Care’, inspired by I’ll Take Care Of U.

Behind the scenes, there was evolution too. Romy and Oliver’s writing process on ‘xx’ had been to exchange lyrics over the internet and only sing what they each had written. Having begun to write again quite soon after returning from tour – “Much sooner than I expected,” says Romy – they discovered that their initial reticence to bare so much of themselves in person had faded.

“The newest thing that we’ve done on this record is that me and Romy wrote in a room together,” explains Oliver. “We went into a room with nothing and talked through early ideas together, which was fun but bizarre because we’ve never done that before. I also sang one of Romy’s lyrics for the first time, which felt really nice.”

Where dreams and expectation had largely coloured Oliver’s lyrics on ‘xx’, on ‘Coexist’ he draws on his own experiences: “Which I’m surprised I’ve done because I knew people were going to hear them; I’m surprised I was able to put it out there confidently.” Conversely, Romy wrote quite openly from experience on their debut: “It felt very much like a direct diary – although obviously we’ve always written quite cryptically. I think my lyrics have become more from observation and expectation, which is a complete swap.”

That realignment extends to Jamie’s role. When he originally joined the band they’d been writing and gigging for a year. This time around it was the three of them working together from the start. Following a short spell in a Dalston practice room, Jamie found a space in Angel that would become their studio. Essentially a couple of rooms in an ordinary office block, they turned the once mundane space into a nocturnal hub of creativity among the nine-to-five surroundings, hanging black velvet on the walls as soundproofing and fitting it out with a set-up that now included piano, drums and steel pan. Back together again, separate from both their label in west London and east London’s music scene, Romy, Oliver and Jamie wrote ‘Coexist’.

“We just ended up playing new stuff to each other to try and write which was a fun way to do it,” explains Jamie. It wasn’t always plain sailing: “The idea I had at the beginning when we started wasn’t the right idea because I’d been in a place where I was making music for Drake and other people, and myself, and I’d kind of forgotten about working with these two, which is very different because we’re so close.” Jamie continues: “Learning to work together as grownups was the biggest thing – it’s the thing that influenced the album the most. We just needed to find a balance.”

Understanding that balance became the heart and soul of ‘Coexist’. “Jamie has done his solo stuff and Oliver and I have done separate things but The xx is only when we’re together. That’s when it’s really us,” explains Romy. “I was reading up on oil on water – when you see a puddle on the floor and it’s a rainbow. Oil and water don’t mix, they agree to peacefully coexist. I really liked that – these two simple things, oil and water, that together make something beautiful.”

“To coexist doesn’t paint the rosiest picture but I think it represents the realness,” continues Romy. “Learning to live together, learning to work together again, learning to live with the person you’re with, or your ex. It’s all connected.” Through that learning process, the anxious night time of ‘xx’ has made way for sunrise on ‘Coexist’.

While the fingerprints of R&B remain, ‘Coexist’s dawn realisations flicker into life under house music’s gaze, most resonant on Reunion, Sunset and Swept Away. It also echoes in Romy’s guitar riffs and Oliver’s bass lines, which circle and build like loops. “That’s something I love about dance music, how something insignificant can somehow become profound after the fifth repetition,” says Oliver.

Above all, though, ‘Coexist’ is an album of confident adult reflection. Angels, sung by Romy, is a perfectly distilled love song. Its counter is Fiction led by Oliver, a bittersweet ballad that’s strength lies in naming its fear. What has changed for The xx? Nothing, and everything. Older and wiser, surer yet still so tender, ‘Coexist’ finds itself on the other side of heartbreak, when the light returns.
CHAIRLIFT
CHAIRLIFT
Caroline Polachek and Patrick Wimberly made Something, their sophomore record, over 18 months between the back of an antique store in Brooklyn and the basement of a family home in Streatham, London. The world and characters of Something, slowly emerged- overtones of manic revenge contrast with a dark brooding guilt ("Sidewalk Safari", "Amanaemonesia", "Take it out on Me", "Guilty as Charged"); pastoral, almost psychedelic love meets its own inevitable, blue future ("Met Before", "Frigid Spring", "Turning", "Cool as a Fire"). In contrast to Chairlift's debut album's Does you Inspire You pop-dreamscape, created in the dark, after school and work, the band uncovered the songs on Something in the daytime, drinking coffee. Producer Dan Carey's studio is part of the world of Something, full of giant plate-reverb boxes, mint green reel-to-reels salvaged from dismantled BBC studios, plastic human heads which are used to record and simulate the listeners location in approximation to the sound. The head was sitting in the back seat of Carey's car, a microphone on each ear, while Caroline drove, screaming the "I'm gonna hunt you down… I'm gonna run you down" lyric of "Sidewalk Safari". Perhaps this incident lends itself to the fact that Something recalls the anthemic driving albums of the mid-90's (Weezer's 'Blue' album comes to mind). Larry Fitzmaurice (Pitchfork) says that "...Chairlift go for 'big' – like, really big – and succeed on every level".
Venue Information:
Marquee Theatre
730 North Mill Avenue
Tempe, AZ, 85281-1204