Stateside Presents

Highly Suspect, Slothrust
Presented by Stateside Presents & Live Nation

Highly Suspect, Slothrust

Performers:
Highly Suspect
Slothrust
The Van BurenPhoenixAZ
$35.00 - $40.00 On Ticketweb
Ages 13+
Doors 7pm | Show 8pm | 13+ (12 & UNDER PERMITTED WITH PARENT/LEGAL GUARDIAN)

ADVANCE PRICE: $35 + FEES / DAY OF SHOW PRICE: $40 + FEES

TO ACCESS TICKETS DURING PRESALE YOU MUST PRE-ORDER THE NEW HIGHLY SUSPECT ALBUM USING THE FOLLOWING LINK: HTTPS://SHOP.HIGHLYSUSPECT.NET/

Highly Suspect Meet & Greet VIP Experience includes - $135 + fees

  • Meet & Greet with Photo Opportunity
  • GA Ticket
  • First Priority Shopping
  • Early Entry
  • Commemorative Laminate
  • Cinch Bag
  • Bandana

Highly Suspect VIP Experience includes - $85 + fees

  • GA Ticket
  • First Priority Shopping
  • Early Entry
  • Commemorative Laminate
  • Bandana
  • Cinch Bag

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HIGHLY SUSPECT

https://www.highlysuspect.net/

Grammy nominated US rockers, Highly Suspect, have announced details of their high anticipated third album alongside a run of intimate shows. They return after the huge successes of their first two albums, which accumulated many weeks in charts around the world and saw them clock up three Grammy nominations and tour the world many times over.

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SLOTHRUST

http://www.slothrust.com/

Slothrust is principal songwriter, guitar player and unrepentant aesthete Leah Wellbaum, with drummer Will Gorin and bassist Kyle Bann. On their fourth full-length album The Pact, Slothrust constructs a luscious, ethereal cosmos perforated with wormy portals and magic wardrobes, demonstrating more clearly than ever the band’s deft shaping of contrasting sonic elements to forge a muscular sound that’s uniquely their own.

Bizarre and mundane, tender and confident. The awkward duality of the forever outsider, rightly reclaimed as power. This is The Pact. Produced and engineered by Billy Bush in Los Angeles (the band’s new home base), Slothrust’s new album is a confident journey across 12 songs that oscillate between a quietly reflective tenderness and a slick, sleek confidence; balancing playful innocence with ballsy swagger. “This is the most fun I’ve ever had making a record,” Wellbaum confirms. “We were able to take risks. I’m saying yes more than no these days.”

Bush brought a rugged-lush sensibility to the proceedings, assuredly guiding the band into new territory. “I can’t say I’ve come across a band like this where every player is equally strong" Bush noted. "Typically there is one stronger talent and one that lags behind, but something I find really unique about Slothrust is that everybody really is extraordinary in their ability to discuss, understand, hear and play music.” “We had infinite possibilities with Billy at the helm,” Bann says. “Whereas in the past we strove to make a record that would accurately capture the way we sound live,” continues Gorin, “this time we explored making a studio album. We let the experience take us somewhere new.”

Album opener and lead single “Double Down,” commands without cawing for attention - A lurching rock song with a subversive pop hook, ripped with screeching distortion that gives way to the chorus, an irreverent, emphatically cool takedown of all doubters. “Peach” showcases Wellbaum’s penchant for quirky wordplay as it free-associates “Jack-O-Lantern, Chupacabra; Sick Menorah, Candelabra” while cascading riffs illustrate her prodigious power and inventive nuance on guitar. “You were so mean to me then but no one’s mean to me now…”

“Walk Away” introduces a slinking R&B groove and an unexpectedly sultry vocal turn by Wellbaum, whose delivery shimmers as it peaks and drops, climaxing in a pulsing, frayed guitar solo full of tension that embodies desire straining against the edges of itself. “For Robin” opens with a jaunty bass line overlaid with a 1980s hotel-wedding saxophone riff, the perfect accompaniment to a lyrical narrative that takes the form of direct address to deceased actor Robin Williams.

“The Haunting” is a sumptuous odyssey through the realm somewhere between sleeping and waking that is perhaps most indicative of The Pact’s expanded sonic palette. A twangy, acoustic strum leads the way before the bass tumbles in to hug a simple, tangy melody, conjuring a sense of underwater vertigo not dissimilar from the band’s influences like Smashing Pumpkins or the reflective wail of The Pixies. “Fever Doggs,” “a song that feels like a photograph of an old house made of dark rotting wood,” Wellbaum acknowledges, tips its hat to trailblazers like PJ Harvey as it spins toward the edge in shifting time signatures that dissolve into a furiously controlled riot.

Of the writing process, Wellbaum reflects, “I need to do it less, but I want to do it more. I don’t feel frantic anymore.” While she might argue that there’s no concrete conceptual through-line to her writing, it’s hard to ignore the ongoing conversation between her and her restless, boisterous, but ultimately unsure inner child. “When writing a lot of this material I tried to step further outside of myself and take risks I hadn’t before. After doing that, I stepped back into the role of performer and author of the material. It’s a really liberating experience.”

Venue Information:
The Van Buren
401 W Van Buren St
Phoenix, AZ, 85003