VIP MEET & GREET PACKAGE includes:
- One General Admission Concert Ticket
- Meet and Greet with Mt. Joy
- Photo Opportunity with Mt. Joy
- Access to Mt. Joy’s Pre-Show Sound Check
- Signed Fall Tour Poster
- First Entry Into the Venue*
Thank you for purchasing a Mt. Joy VIP Package. You will be contacted by Wonderful Union via email 24-48 hours before your event with further instructions regarding your package. All packages are non-transferable. If you have specific questions surrounding your package elements, please contact help.wonderfulunion.com.
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"These dreams are more than paper things," sings Matt Quinn on Mt. Joy's infectious folk-rocker "Astrovan," a warm, yearning bit of road-trip philosophy that posits the existence of a Deadhead Jesus cruising the dusty highways of the countryside, nursing a roach on his way to only He knows where. It's an auspicious line from a band predicated on the revival of teenage dreams.
Mt. Joy started off as a rekindling of shared musical ambitions between Philadelphia high school friends Matt Quinn (vocals, guitar) and Sam Cooper (guitar). Reunited in Los Angeles thanks to the ebbs and flows of adult life, the pair met multi-instrumentalist Michael Byrnes through a Craigslist ad. They named themselves Mt. Joy as an ode to a mountain in Valley Forge National Park near Sam's childhood home, and together, with Byrnes' roommate Caleb Nelson producing, they recorded three songs and sent them out into the world, hoping for the best. "I knew I still wanted to write songs, but the realities of life made that dream seem pretty impossible," Quinn says.
Much to the band's amazement, "Astrovan" accomplished the impossible. Without initial promotion or fanfare, the song took off on Spotify, racking up 5 million streams to date. "The irony of 'Astrovan' was that song was really about being stuck in a life and wanting to have the opportunity to pursue a dream, and in an instant it gave us that opportunity. " Quinn says. Mt. Joy quickly transitioned from a part-time calling into a full-fledged band rounded out by Byrnes on bass, Sotiris Eliopoulos on drums and Jackie Miclau on keyboard.
Come 2017, Mt. Joy hit the road, and hit it hard: They played tour dates alongside the likes of The Shins, The Head and The Heart, The Lone Bellow, and Whitney, and popped up at some of the summer's biggest festivals, including Bonnaroo, Newport Folk Festival, Lollapalooza and Made In America. "We were put on some big shows very quickly," Quinn says. "The growth for us has been exponential - we've really just become a family that's constantly pushing each other and the live show to be great." They eventually caught the attention of Dualtone Records and began work on their debut album.
Steeped in folk-rock tradition and powered by the intuitive creative connection between Quinn and Cooper, the songs on 'Mt. Joy' depict Quinn wrestling with his own conscience, where the mundane and the fantastic collide as he processes tragedy, society, and love. Opener "I'm Your Wreck" describes "monsters in (the) closet, using up the wi-fi" as it cycles from its desperate, spiraling verses to its swinging, stubbornly optimistic coda, while the loping, plaintive chords of "Younger Days" meditate on a frayed psyche and the fear of choosing the wrong path. "Sheep," with its collapsing, hoarse-voiced cry of "freedom was paid in blood," is a post-Trump salvo on the responsibilities of the fortunate to overcome political and social despondency. And on "Silver Lining," perhaps the album's brightest moment, Quinn surveys the damage of hard drugs and the vicious cycle of addiction, as the song's melancholic sentiment kicks into its fervid, defiant chorus, all shout-along vocals and trilling guitars.
Taken together, the self titled 'Mt. Joy' LP is a startlingly open document, wracked with the anxieties and fears that come just as life seems to start working out. It's a natural reaction from a wary band like Mt. Joy - the result of a sort of professional vertigo, as they've gone from virtual unknowns to hot young commodity in little over a year. But there's a sense of hope underlying everything, girded by the fact that the Mt. Joy LP is an impressive, honest portrayal of a young band facing that moment where dreams become reality, and finding beauty in the exhilarating uncertainty of it all.
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An arrestingconfluenceof soaring melodies, lush harmonies, and driving indie rock, the EP is the band’smost collaborative work yet, bearingthe distinctive writing influence and unique sonic sensibilities of all four members(lead singer/guitarist Max Rainer, bassist/vocalist Colton Dearing, guitarist/vocalist Tyler Wimpee, and drummerJustin Kila).Recorded with production mastermind Phil Ek (Father John Misty, Fleet Foxes), ‘Favors’ marks the dawn of a new era forTulsa rockers Wilderado,as their already-epic sound pushes into more nuanced and mature territory than ever before. From the slow-and-steady build of ‘You Don’t Love Me” to the explosive power “Siren,” the collection elevates the grandeur and drama of the band’s arrangements without sacrificing any of the grit or muscle behind it. “We wanted big guitars, big cymbals, big drums, big vocals, but we still wanted it to come across pretty,” explains Rainer.Indeed, beauty is the EP’s hallmark: the beauty of radical honesty, the beauty of self-actualization, the beauty of metamorphosis.The songs offer up candid slices of self-reflection, unafraid look critically in the mirror as they juxtapose magnificent musical arrangements with lacerating lyrics and heartrending deliveries, but ultimately, they’re not about judgment at all. Instead, the music celebrates the growth that comes from turning weakness into strength, from pushing beyond the boundaries what previouslys eemed possible in order to fully become yourself.‘Favors’ follows a pair of EPs—‘Misty Shrub’ and ‘Latigo’—and a collection of singles released to widespread critical acclaim, with Consequence of Sound hailing Wilderado’s musicas “glorious” and Paste lauding its “South-Central Americana-meets-Laurel Canyon vibe.” Praise across the pond was similarly effusive, with NME highlightingthe band’s“impressive harmonies” and Clash falling for their “natural grace.” Thetunesracked up more than 15million streams on Spotify and helped the group earn festival performances from Bonnaroo to Sasquatchin addition to dates with Band of Horses, Lindsey Buckingham & Christine McVie, Judah & The Lion, and more.
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Please note that if there is no PDF or Barcode attached to your confirmation email, tickets will not be available to download or in the app until 24-hours prior to show date.
Support acts are subject to change. No refunds.
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Ticket resale is strictly prohibited. Any tickets suspected of being purchased for the sole purpose of reselling can be cancelled at the discretion of Stateside Presents.
308 N 2nd Ave
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