Stateside Presents

BRONCHO

BRONCHO

PUBLIC ACCESS T.V., THE SOFT WHITE SIXTIES

Tue, March 20, 2018

Doors: 7:30 pm / Show: 8:00 pm

Valley Bar

Phoenix, AZ

$13.00

This event is 16 and over

BRONCHO
BRONCHO
Blasted grassland, the thin ribbon line of the freeway unspooling beneath wheels, skies stretched wide between mountaintop. It is dream music, foggy, atmospheric, the melodies you hear while you gazing out through fingerprint smeared windows into a constantly moving, metamorphing - landscape...

It makes sense then, that BRONCHO, born out of out a film project, its initial incarnation sparked when founder Ryan Lindsey was asked to create music, “to set to an early 80s punk film.” “That’s all I knew about it,” he remembers, “they were looking for songs that touched this era. And songs kept coming to me and turned something on inside of me artistically.” Lindsey found himself in the midst of prolific run of songs and he liked the idea “of starting out there and seeing where it could go.”

What’s evolved from those first tracks there has been a steady run of success, critical accolades and two full-length albums; 2011’s Can't Get Past the Lips, 2014’s Just Enough Hip to Be Woman. And beneath it all – the music has been constantly mutating and ceaselessly experimental. From that first inception as a soundtrack in 2010, BRONCHO has taken on a life of its' own – initial inspiration still there, but now pushing far beyond the stiff confines of score. And what began as an ode to ramshackle, high-energy early punk has become something deeper, weirder, and much more nuanced. The undercurrent of early 1980 punk is still there, but The Ramones pogo has been replaced more often by a kind of Love and Rockets inspired, honeyed, cotton-mouthed drift.

Double Vanity is Lindsey and band mates Ben King, Nathan Price and Penny Pitchlynn steadily moving ahead, transforming the raw angst of the first record into a sound decidedly more layered and complex. Tracks like “New Karma" or “Two Step" riff off the later explorations of punk, culling up refracted images of John Hughes prom nights, love songs echoing from a boom box held high. "Jenny Loves Jenae" and "Speed Demon" strut with an when 80s met 50s swagger, discord transformed into a jagged, frenetic pop. "Señora Borealis" is all bad boy sneer - sensual, moody, with a sly and predatory swagger. "I Know You" is simultaneously infectious and brooding, somehow both exalting and heartsick.

The result is a record that veers gleefully from BRONCHO’s roots, moving from graffiti spray backrooms into a sleeker, plusher sound, a place bright with the polished gleam of chrome and bleached white sunlight. Close your eyes and what you feel is the raw wound pulse of adolescence, what you see behind your lids is suburban shopping mall wastelands, glazed eyes, dead grass, lips glossed in bubblegum pink. There is the burst chest thump of teenage longing, the smell of hairspray and cigarette. There is glow of neon and the glint of streetlight rolling across hood.

Double Vanity evokes a shared nostalgia, for the past and for the unknown future, as BRONCHO takes a turn off the wide freeways and into a world of intimate, intricate - but always universal - emotion.
PUBLIC ACCESS T.V.
PUBLIC ACCESS T.V.
The story of Public Access TV seems like it was written for an episode of Behind The Music. A group of friends drop out of high school and catch a New York City bound bus with dreams of starting a band. What follows is a frenzy of press hype, label bidding wars, a critically-acclaimed debut album, sold-out tours, and festival slots around the world.

But as all viewers of any music doc surely know, there is always a darker side to the story, and PATV is no exception. Addiction, recovery programs, public brawls (mostly with one-another), a devastating explosion that destroyed all their earthly possessions, and a car crash behind the wheel of an 80's convertible...a lifetime packed into one-album cycle. Now for part two, Public Access TV's sophomore album: Street Safari.

The band, comprised of front man and lead-singer John Eatherly, Xan Aird, Max Peebles, and Pete Star, entered the studio to record the new album in fall 2017 with Producer Patrick Wimberly (Beyonce, MGMT, Chairlift) armed with a plethora of songs they'd written documenting the tumultuous last few years of their lives. The first single "Metrotech" previews the more expansive palette the band is working with on their new album.

"I think it's a cop-out to say that this is our mature album, or whatever cliche thing it is that bands say about their second album." says Eatherly. "There was no spiritual awakening or come-to-Jesus moment. We're four young guys trying to figure our lives out, be good people, and a lot of the time find ourselves coming up short. Expressing this through songwriting is the challenge and I can only hope the deliverance."
THE SOFT WHITE SIXTIES
THE SOFT WHITE SIXTIES
Octavio Genera, Aaron Eisenberg, Joey Bustos, Ryan Noble.
Venue Information:
Valley Bar
130 N. Central Ave.
Phoenix, AZ, 85004
http://www.valleybarphx.com/