Stateside Presents

IRON AND WINE

IRON AND WINE

ERIN RAE

Sat, September 29, 2018

Doors: 7:00 pm / Show: 8:00 pm

Rialto Theatre - Tucson

Tucson, Arizona

$28.00- $42.00

This event is all ages

IRON AND WINE
IRON AND WINE
beast epic. n. 1. A long, usually allegorical verse narrative in which the characters are animals with human feelings and motives.2. A Grammy-nominated album by the band Iron & Wine. Beast Epic is the sixth proper full-length record from Iron & Wine and was released (Aug 2017) after a four-year gap to critical acclaim. The album was nominated for Best Americana record at the 2018 Grammy Awards and was included on many year-end lists. Iron & Wine is the musical project of singer-songwriter Sam Beam. Born in South Carolina and currently residing in North Carolina, the former film professor got his start making home recordings before landing on venerable Sub Pop Records. The 2002 debut, The Creek Drank the Cradle vaulted Iron & Wine into the spotlight of the burgeoning indie-folk/Americana scene where over the years he developed into one of its prolific songwriters. Beast Epic’s eleven tracks take the listener on a ride thru the 15+ year history of Iron & Wine while still offering up a new and contemporary sound. The journey to this point is maybe best described by Sam Beam himself in the below artist statement. “I must confess that I’ve always shied away from album introductions citing the usual ‘dancing to architecture’ cop out. Speaking to their own work is uncomfortable for many artists, but I’ve made a new album called Beast Epic which is important to me and I wanted to take a moment to talk about why. I’ve been releasing music for about fifteen years now and I feel very blessed to have put out five other full lengths, many EPs and singles, a few collaborations with people much more talented than myself, and made contributions to numerous movie scores and soundtracks. This is my sixth collection of new Iron & Wine material and I’m happy to say that it’s my fourth for Sub Pop Records. It’s a warm and serendipitous time to be reuniting with my Seattle friends because I feel there’s a certain kinship between this new collection of songs and my earliest material, which Sub Pop was kind enough to release. In hindsight, both The Creek Drank the Cradle (2002) and Our Endless Numbered Days (2004) epitomize a reflective and confessional songwriting style (although done with my own ferocious commitment to understatement, of course). I have been and always will be fascinated by the way time asserts itself on our bodies and our hearts. The ferris wheel keeps spinning and we’re constantly approaching, leaving or returning to something totally unexpected or startlingly familiar. The rite of passage is an image I've returned to often because I feel we’re all constantly in some stage of transition. Beast Epic is saturated with this idea but in a different way simply because each time I return to the theme, I’ve collected new experiences to draw from. Where the older songs painted a picture of youth moving wide-eyed into adulthood’s violent pleasures and disappointments, this collection speaks to the beauty and pain of growing up after you’ve already grown up. For me, that experience has been more generous in its gifts and darker in its tragedies. The sound of Beast Epic harks back to previous work, in a way, as well. By employing the old discipline of recording everything live and doing minimal overdubbing, I feel like it wears both its achievements and its imperfections on its sleeve. Over the years, I’ve enjoyed experimenting with different genres, sonics and songwriting styles and all that traveled distance is evident in the feel and the arrangements here, but the muscles seemed to have relaxed and

been allowed to effortlessly do what they do best. I’ve been fortunate to get to play with some very talented musicians over the years who are both uniquely intuitive and also expressive in exciting ways. This group was no different. We spent about two weeks recording and mixing but mostly laughing at The Loft in Chicago. To be honest, I’ve named this record BEAST EPIC mostly because it sounds really fucking cool! However, with that said and perhaps to be completely honest, ‘a story where animals talk and act like people’ sounds like the perfect description for the life of any of us. If not that, then it’s at least perfect for any group of songs I’ve ever tried to make. I hope you enjoy it.”— Sam Beam, Iron & Wine Beast Epic was recorded and engineered by Tom Schick at the Loft in Chicago in July 2016 and January 2017, and mastered by Richard Dodd in Nashville, Tennessee. It features longtime Iron & Wine collaborators Rob Burger (keys), Joe Adamik (percussion), and Jim Becker (guitar, banjo, violin, mandolin), along with bassist Sebastian Steinberg (Soul Coughing and Fiona Apple), and Chicagoan Teddy Rankin Parker (cello). BEAST EPIC CRITICAL QUOTES “Sam Beam brings Iron & Wine full circle on his sixth album, using the warm acoustic instrumentation of his early work and some of the most moving singing of his career.”–Pitchfork“Beam’s most dynamic and convincing record in years”–Rolling Stone“A reliably soothing return to the low-key minimalist approach that first made I&W the soundtrack to everyone's sunny, drowsy afternoons. ‘Claim Your Ghost’ and ‘Call It Dreaming’ are precisely the kind of balm you need after a long day in the current political climate." - Entertainment Weekly“With Beast Epic, Beam and his band go quiet again, scaling back the lavish orchestration while maintaining a sense of brightness and verve.” - NPR“One of the most gifted songwriters of his time.”“A beacon for the evolution of acoustic music in a time of digital domination.”[8.1/10] - Paste“Beam has written his most affecting, impressive set of songs in a long time—maybe ever—and that’s saying something for a guy whose songwriting rarely misses, even when he’s stretching his sonic wings. Beast Epic strikes a perfect balance between gorgeous and world-weary from the first note to the last.”[Grade: A] –A.V. Club“Distant Nick Drake rays, tender to the touch lyrics, Beam launches a soft emotional ambush” - Mojo
ERIN RAE
ERIN RAE
Erin Rae, whose genre-fusing mix of traditional folk and indie-rock has landed her collaborations with artists like Margo Price and Andrew Combs—not to mention critical acclaim from some of the world’s top music media, including Rolling Stone, NPR, and the BBC—is finally stepping out into the spotlight with her new album Putting On Airs. The album is out June 8, 2018 on Single Lock Records.

Buoying the release is Rae’s reputation as an enthralling live performer, which has earned her the respect of Nashville peers and music notables alike, including Grammy Award winner John Paul White, who has signed her to his Florence, Alabama-based label, Single Lock Records. Rae joins a Single Lock roster that includes Nicole Atkins, St. Paul And The Broken Bones, and White himself, who said “When I first heard Erin’s compelling voice, I knew nothing about her. It was live, with no intro (she was opening for friends of mine), and I was instantly transfixed. I couldn’t wait to engage, and that’s something I very seldom feel, much less do. I was thrilled to find out her personality was as engaging as her voice and songs, and that she was looking for a home. I couldn’t be happier to be hitching our wagons together.”

Gifted with the unique ability to fuse musical genres and influences to craft songs that feels fresh and wholly her own, with Putting On Airs, Rae has thrown down a direct challenge to the stereotype of what a Southern singer should be. Both musically and lyrically, she strikes a fiercely independent chord, proudly releasing a deeply personal record that reflects her own experience and upbringing in Tennessee, including the prejudices and injustices that she witnessed as a child that continue to impact her life to this day, including her personal struggle to understand her own sexuality. According to Rae, "this album was born out of a need to do some healing work in my personal life, in order to address some fears and patterns of mine to allow my true feelings to come to the surface."

Recorded in the dead of winter at The Refuge, a historic former Franciscan monastery-turned-creative space on Wisconsin’s Fox River, the isolated environment created the perfect setting for Erin and her bandmates to track these genre-busting songs, using the chapel and other unique spaces within the cavernous building to explore new sonic boundaries, all while continuing to showcase Erin’s trademark vocals and the song-serving restraint first heard on her critically-acclaimed 2015 debut album, Soon Enough (engineered and produced by Anderson East and Mike Rinne).

The unique sound of the record is inspired by the innovative 1960s European production techniques from artists like the Beatles and Francoise Hardy, paired alongside the restraint and minimalism of modern artists like Wilco and Richard Hawley, bridging the sonic gap between classic songwriting and a modern indie-rock ethos. The album was co-produced by engineer Dan Knobler (Rodney Crowell, Tift Merritt) and multi-instrumentalist Jerry Bernhardt. Dominic Billett also served an integral role in the collective that worked together to create the album’s innovative and varied sonic pallet, providing the perfect soundscape for Erin’s soothing vocals, bathing everything in the warmth and purity that has become her trademark sound.
Venue Information:
Rialto Theatre - Tucson
318 E. Congress St.
Tucson, Arizona, 85701
http://www.rialtotheatre.com/