Stateside Presents

DeVotchKa

DeVotchKa

ORKESTA MENDOZA (FKA SERGIO MENDOZA Y LA ORKESTA)

Sun, September 30, 2018

Doors: 7:00 pm / Show: 8:00 pm

Crescent Ballroom

Phoenix, AZ

$25.50 - $75.50

This event is 21 and over

Every ticket for this show includes a digital download of DeVotchKa's forthcoming album, This Night Falls Forever (available August 24). You will receive an email with instructions on how to redeem this offer approximately 7 days after your ticket purchase.

--

4 TICKET LIMIT PER CUSTOMER. YOUR NAME, CREDIT CARD, ADDRESS, AND EMAIL ADDRESS WILL BE VERIFIED. TICKETFLY AND STATESIDE PRESENTS/THE CRESCENT RESERVE THE RIGHT TO CANCEL ANY ORDERS IN EXCESS OF THE STATED TICKET LIMIT.

ANY TICKETS SUSPECTED OF BEING PURCHASED FOR THE SOLE PURPOSE OF RESELLING CAN BE CANCELLED AT THE DISCRETION OF STATESIDE PRESENTS/THE CRESCENT/TICKETFLY.

DeVotchKa
DeVotchKa
DeVotchKa is a four piece multi-instrumental and vocal ensemble that fuses Romani, Greek, Slavic, Bolero, and Mariachi music with American punk and folk roots. They take their name from Anthony Burgess' Nadsat word for "young girl," which is itself derived from the Russian word (девочка) of the same meaning. Based in Denver, Colorado, the quartet is made up of Nick Urata, who sings and plays theremin, guitar, bouzouki, piano, and trumpet; Tom Hagerman, who plays violin, accordion, and piano; Jeanie Schroder, who sings and plays sousaphone and double bass; and Shawn King, who plays percussion and trumpet.
ORKESTA MENDOZA (FKA SERGIO MENDOZA Y LA ORKESTA)
ORKESTA MENDOZA (FKA SERGIO MENDOZA Y LA ORKESTA)
Sergio Mendoza Defines The Arizona Border With Orkesta Mendoza’s New Release ¡Vamos A Guarachar!

Out November 11th On GlitterBeat Records Orkesta Mendoza

“Sergio Mendoza is probably my favourite musician of this time. He has the cumbia and mambo in his DNA, but he has the power to make it sound like today. His Orkesta is as punk as the Sex Pistols and as violent as Perez Prado” — Camilo Lara, Mexican Institute of Sound

“Orkesta Mendoza is one of the best live bands out there. Their music delves into a myriad of directions, rhythms and moods, big band orchestrations mixed with lo fi electronica, vocals en Español together with moving instrumentals.”Vamos a Guarachar” is epic and soulful, it captures that positive spirit of the Southwest” — Joey Burns, Calexico

(Tucson, AZ) – Something is stirring in downtown Tucson. That’s no great surprise perhaps: Calexico have been sending out missives from the desert for 20 years now, Giant Sand for even longer than that, and the Green on Red revival is surely overdue. These three giants of American popular music ask questions of the form, chiefly because of where they are situated. Let us remind ourselves that this isn’t a big city but that its hinterland is indeed as big as it gets. About an hour south, Mexico starts – and this is where things get interesting.

Born in Nogales, Arizona, raised in Nogales, Sonora, multi-instrumentalist and band-leader of Orkesta Mendoza, Sergio Mendoza grew up listening to the Mexican regional styles jostling for headspace in a young, music-mad mind – cumbia mainly, but mambo, rancheras and mariachi too. The border is always a fierce arena of exchange, both commercial and cultural, and so there was American music too. At one point ‘rock and roll, the classics’, as Mendoza himself deadpans, seemed to win out and he stopped playing those ‘Latin styles’ for a good decade and a half.

The return to those sounds was a strong one in 2012’s Mambo Mexicano, co-produced by Mendoza and Joey Burns of Calexico – a band for which Mendoza has become an increasingly integral touring and recording member. While that record had a studied air, tentative in parts (as befits the renewal of an old love affair), ¡Vamos A Guarachar! is another beast entirely: by turns raucous (‘Cumbia Volcadora’, featuring Mexican electronic pioneer Camilo Lara), tender (‘Misterio’, surely Salvador Duran’s finest moment with the band so far) and plain serious fun, as in ‘Contra La Marea’ and ‘Mapache’, it also bears a robust electronic edge, a keen pop sensibility and all the hallmarks of Mendoza’s love of 60s rock, with the closing track, ‘Shadows of the Mind’, sure to be included if anyone decides to update the Nuggets collection for the 21st century. This is roundabout way of saying that it appears to have everything, but never too much of anything. Focused, fierce and beautifully executed by a superbly drilled set of musicians, it is a record that fully matches the band’s explosive live performances.

Nogales, Sonora, Nogales, Arizona: this is what the border looks like here – for now. To talk about borders and the diasporas they create, is to be pitched headlong into our era’s most urgent debate, marked by Trump’s lurid obscenities and the lines being hastily reinstated across Europe. Orkesta Mendoza’s contribution to that debate is to show us what the border sounds like and what masterpieces can be achieved by honest cultural exchange. What we decide to do with that information is up to us. With this record, however, we’ll have an awful lot of fun deciding.

You could, of course, take the trip to Tucson yourself, to the home of this essential set of field recordings. The scene hangs out together, so … if the stars align and their frantic tour schedules permit, you might see any number of folks from Calexico, Giant Sand or up-and-coming cumbia rockers Xixa deep in conversation somewhere in town with a quiet young man in black. That’s Sergio. Right now, in this endless game of Tucson tag, Orkesta Mendoza are IT.

Orkesta Mendoza: Sergio Mendoza: vocals, keyboards, guitars, drums, percussion, programming, horns Salvador Duran: lead vocals “Cumbia Volcadora,“ “Misterio” & “Cumbia Amor De Lejos” Sean Rogers: bass, lead vocal “Shadows of the Mind” Marco Rosano: sax, clarinet, trombone, keyboards, guitar Raul Marques: backing vocals Joe Novelli: lap steel
Venue Information:
Crescent Ballroom
308 N. 2nd Ave.
Phoenix, AZ, 85003
http://www.crescentphx.com/