Stateside Presents

Jukebox The Ghost & The Mowgli's

Jukebox The Ghost & The Mowgli's

Arrested Youth

Tue, March 5, 2019

Doors: 6:00 pm / Show: 7:00 pm

Crescent Ballroom

Phoenix, AZ

$23.00 - $26.00

This event is 16 and over

JUKEBOX THE GHOST
JUKEBOX THE GHOST
Jukebox the Ghost's latest record, Off To The Races is a giddy, vibrant collection of Jukebox the Ghost's most bombastic, colorful songs to date. Though it's the fifth studio outing from this long-running trio of piano pop wizards, it plays like an energetic debut album: Just as eager to please as it is eager to surprise you. Every generation has a band that puts a fresh twist on piano-rock, and Jukebox the Ghost’s latest studio offering serves as a memorably vivid and kaleidoscopic step forward for the genre.

From the opening vocal stack of "Jumpstarted," it's obvious that Jukebox the Ghost has newfound confidence in embracing bold musical risks. A mishmash of modern pop, retro vocals and classic rock indulgence, it's a head-spinning listen for the first go-round that the band describes as "what it's like to be inside of Ben (Thornewill, lead singer/pianist)'s brain." A thickly-layered vocal intro builds into a showcase of Thornewill’s virtuosic classical piano chops and then abruptly vaults into a bouncy, upbeat pop chorus led by Jesse Kristin’s punchy backbeat drumming. A synth solo enters and you're suddenly in a section vaguely resembling hip-hop. The guitar solo kicks the door down and you're front row at an arena rock show. Thornewill recorded over 170 vocal tracks in "Jumpstarted," and somehow you can hear them all.

One influence stands out in particular as a common thread: Queen. This isn't a matter of happenstance -- The band has recently made a tradition of "HalloQueen," a yearly show where they perform two sets: One as themselves, followed by a set break, and one in costume (and in character) as Queen. Through being forced to do a deep dive into Queen's catalogue, the band says they ended up discovering themselves in the process. "Something magical about Queen to me is that their songs are so catchy, but the song structures are so wonderfully wrong and they're so unafraid to showcase their chops," said Tommy Siegel. "Their music is a reminder to me that pop music doesn't have to come in a neat, restrained package,” added Thornewill, “It's ok to get weird and own it -- And you can still be catchy.”

The second track from Off To The Races, "Everybody's Lonely" provides a mix of old and new, evocative of Queen crossed with Walk the Moon. In addition to a distinctly modern pop chorus, it also features a surprising time signature shift and a bridge that has more in common with "Bohemian Rhapsody" than it does current radio morés. And though Thornewill’s lyrics thumb their nose at modern pop radio, it’s also easy to envision it becoming a modern pop hit in its own right. The third track, a snarky ode to the 9-to-5 from guitarist/singer Tommy Siegel called "People Go Home" sounds like you've tuned into some 1970s AM radio station that's been humming along in a parallel universe for decades, an otherworldly early-Beatles-style track for the new millennium. The remainder of the record serves as a bright, exciting showcase of the band’s well-honed sense of pop craft, coated in thick harmony stacks that serve as a brand new instrument for the band, dramatic cinematic climaxes, and broad hooks that playfully nod to the past with a decisively modern sensibility.

Off To The Races is their fifth studio outing, mostly recorded at Studio G in Brooklyn and engineered, produced and mixed by Chris Cubeta and Gary Atturio (two exceptions: “Everybody’s Lonely” was produced by CJ Baran and Peter Thomas and “Fred Astaire” was produced by Chris Wallace). Longtime fans will hear little bits of past Jukebox the Ghost embedded in the record blanketed in a fresh, more colorful sonic palette. The flamboyance and quirkiness of Let Live and Let Ghosts (2008), the retro sensibility of Everything Under the Sun (2010), the concise modern pop smarts of their recent self-titled album (2014) and Safe Travels (2012) and the raw live energy of their live album Long Way Home (2016) are all on full display if you listen closely.

The album is the result of a three-year songwriting and recording process, culled from dozens of demos that the band brought to the table. Recording in their home base of Brooklyn enabled them to do more outside-the-computer sonic experimentation and live performance than past records have afforded. “In ‘Boring’ we sent Tommy’s backing harmonies through a distorting rotary speaker which created this totally weird underwater sound,” explained Jesse Kristin. “And for ‘See You Soon’ we ran an electronic tabla machine through an amplifier and then I played drums along with it. That’s the sort of thing I think we wouldn’t have spent the time to do on our other records.”

Jukebox the Ghost formed in college in 2006 and has been a steadily growing cult favorite and a globally touring band ever since. Composed of Ben Thornewill (piano/vocals), Tommy Siegel (guitar/bass/vocals) and Jesse Kristin (drums/vocals), they have played over 1,000 shows across the country and around the world over the course of their career. In addition to countless headlining tours, they have also toured as openers alongside Ingrid Michaelson, Ben Folds, Guster, Motion City Soundtrack, A Great Big World and Jack’s Mannequin, among others. In addition to festivals like Lollapalooza, Outside Lands, Bonnaroo, and Bottlerock, Jukebox the Ghost has also performed on The Late Show with David Letterman and Conan. Their 2018 national headlining tour will take them to their largest headlining venues to date across April and May.



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Shortened Version

Jukebox the Ghost's latest record, Off To The Races is a giddy, vibrant collection of Jukebox the Ghost's most bombastic, colorful songs to date. Though it's the fifth studio outing from this long-running trio of piano pop wizards, it plays like an energetic debut album: Just as eager to please as it is eager to surprise you. Every generation has a band that puts a fresh twist on piano-rock, and Jukebox the Ghost’s latest studio offering serves as a memorably vivid and kaleidoscopic step forward for the genre.

Off To The Races is their fifth studio outing, mostly recorded at Studio G in Brooklyn and engineered, produced and mixed by Chris Cubeta and Gary Atturio (two exceptions: “Everybody’s Lonely” was produced by CJ Baran and Peter Thomas and “Fred Astaire” was produced by Chris Wallace). Longtime fans will hear little bits of past Jukebox the Ghost embedded in the record blanketed in a fresh, more colorful sonic palette. The flamboyance and quirkiness of Let Live and Let Ghosts (2008), the retro sensibility of Everything Under the Sun (2010), the concise modern pop smarts of their recent self-titled album (2014) and Safe Travels (2012) and the raw live energy of their live album Long Way Home (2016) are all on full display if you listen closely.

The album is the result of a three-year songwriting and recording process, culled from dozens of demos that the band brought to the table. Recording in their home base of Brooklyn enabled them to do more outside-the-computer sonic experimentation and live performance than past records have afforded. “In ‘Boring’ we sent Tommy’s backing harmonies through a distorting rotary speaker which created this totally weird underwater sound,” explained Jesse Kristin. “And for ‘See You Soon’ we ran an electronic tabla machine through an amplifier and then I played drums along with it. That’s the sort of thing I think we wouldn’t have spent the time to do on our other records.”

Jukebox the Ghost formed in college in 2006 and has been a steadily growing cult favorite and a globally touring band ever since. Composed of Ben Thornewill (piano/vocals), Tommy Siegel (guitar/bass/vocals) and Jesse Kristin (drums/vocals), they have played over 1,000 shows across the country and around the world over the course of their career. In addition to countless headlining tours, they have also toured as openers alongside Ingrid Michaelson, Ben Folds, Guster, Motion City Soundtrack, A Great Big World and Jack’s Mannequin, among others. In addition to festivals like Lollapalooza, Outside Lands, Bonnaroo, and Bottlerock, Jukebox the Ghost has also performed on The Late Show with David Letterman and Conan. Their 2018 national headlining tour will take them to their largest headlining venues to date across April and May.
THE MOWGLI'S
THE MOWGLI'S
Love is all you need. It's been said many times and many ways of course, but it's truer now than ever.

When The Mowgli's first landed on the scene, their message of positivity and love resonated with audiences everywhere. The group's 2013 major label debut, Waiting for the Dawn [Photo Finish], debuted at #4 on the Billboard Heatseekers Chart and yielded the hit "San Francisco". Following its release, the seven-piece—Colin Louis Dieden [vocals, guitar], Katie Jayne Earl [vocals, percussion], Dave Appelbaum [keyboards], Josh Hogan [guitar, vocals], Matthew Di Panni [bass], Spencer Trent [guitar, vocals], and Andy Warren [drums]—performed on Jimmy Kimmel LIVE!, The Tonight Show with Jay Leno, CONAN, Watch What Happens Live, and more. Between headline tours and runs supporting everybody from Walk The Moon to Manchester Orchestra, they even cut a song for the Relativity Media hit film Earth To Echo. Along the way, their interpretation of love became even clearer, and it defines their sophomore outing, Kids In Love.

"Our first album essentially said, 'What's up everyone? We're The Mowgli's, and we believe love can change the world," explains Katie. "Over the past couple of years, we really came to terms with who we are as a band. With Kids In Love we're exploring the intricacies of love. It's such a broad concept. This time around, we get into intimate love, personal love, as well as universal love. We've found art is the best vehicle to ponder what this really means."

"Before, the concept was painted in very broad strokes," Colin goes on. "Our intention was to start a movement and a culture around what we do. We put all of that under a microscope on this album and talked about personal experiences and stories, the lack of love, and finding it again.”

"We've learned so much about the business, ourselves, and this message," adds Josh. "We've become more direct. It's a little wiser."

In order to properly convey that sentiment, the group teamed up with producer Tony Hoffer [The Kooks, Silversun Pickups, Fitz & The Tantrums] in his Los Angeles studio during the summer of 2014. With Hoffer at the helm, they fine-tuned their sound into an elegant amalgam of influences. Additionally, they recorded with prior collaborators Captain Cuts [Smallpools, Tove Lo] – a production team that includes Ryan Rabin of Grouplove, and worked with Matt Radosevich [Walk The Moon, One Direction] on two additional tracks. “We wanted to create songs that we knew we would enjoy playing live, songs we hoped that speak to people’s personal experiences with love and life and loss and everything that comes with being a kid – or really anyone - in love,” Katie explains.



"We've been on tour incessantly, and this album was really written all over the country," Colin recalls. "It was composed in green rooms, hotels, parking lots, and everywhere in between. I went to Nashville for a week on a whim and tried to learn how to write country music. I was so lucky to work with some of the best in the business. I wanted to bring some of those storytelling elements into the music too. We really grew up, and the songs reflect that journey."

The first released track “Through The Dark” builds from a shimmering acoustic guitar into an unshakable harmony between Josh and Colin. It shines its own kind of musical light.

"Everybody goes through dark times," Josh asserts. "We're trying to put a positive spin on that though, and show you can get through that darkness no matter what."

Colin continues, "In a weird way, it feels like the answer to Waiting for the Dawn. It's a hopeful and encouraging song."

Then, there's the first single "I'm Good." It begins with a sun-soaked clean guitar and resounding percussion before snapping into a delightful refrain that's undeniably unforgettable. You'll feel good after one listen…

Elsewhere on the album, "Whatever Forever" is augmented by driving handclaps and a group chorus that proves infectious. Lyrically, it stemmed from some shared ink within the band. "Colin and I both got a tattoo of that phrase a few years ago in a hotel bar during Hurricane Sandy," smiles Josh. "We'd seen it on the wall of a bar, and it felt like the perfect new life motto. We're not worried about anything; we're just going for it."

"That's a personal favorite," concurs Colin. "After one show, I had a girl walk up to me and say, 'I've been dealing with so much and hurting so badly. I adopted 'Whatever Forever' as my mantra. I needed that.' Sometimes, you need to distance yourself from what hurts."

Ultimately, The Mowgli's open up their hearts once more, and the results are nothing short of inspiring. "We just want people to feel good," Katie concludes. "It's a domino effect. If someone leaves a show feeling great, maybe they pay it forward. If we can contribute a little bit of joy, companionship, and happiness, we're doing our part to make the world a little brighter."

"I want them to feel inspired to do something positive," Josh agrees. "It's all about sharing that."
Colin leaves off, "I want this to be a positive transformative experience. It's almost like falling in love. When you're in a good mood, you tend to react positively. I hope it adds more positivity and love to the world."
Arrested Youth
Arrested Youth
Arrested Youth is a new class of alternative crafted by singer/songwriter Ian Johnson. Growing up in Louisville, Kentucky, Ian was influenced by genre-blending artists like The Red Hot Chili Peppers and Kid Cudi, and began writing lyrics at the age of 15. Encouraged by friends and family, he released a series of mixtapes and an EP which made the iTunes Top 25 pop charts.

With success came a strong sense of discouragement regarding the future of his career. Ian chose to take a break from music to attend Indiana University. He graduated in 2016, triple majoring in business. He took his shot at the American Dream by accepting a job offer in Anheuser-Busch's’ Global Management Program. Within eight months, he was offered a promotion and raise that would entail 60+ hour work weeks. He turned down the offer to pursue his music career instead.

“Working in corporate America was a struggle for me,” Ian noted. “I found myself waking up every day feeling like a prisoner. I started writing music again as an outlet to express my frustrations.”

That fall he released his debut single “My Friends Are Robots”, an ode to the lack of creativity and self-expression he experienced while working in corporate America. He followed up with the hard-hitting, alt-anthem “A Painting in Paris”, paying tribute to the vanity of his generation. He captured a feeling and emotion he feels his generation is experiencing — uncertainty surrounding how we present ourselves in a digital world.
Venue Information:
Crescent Ballroom
308 N. 2nd Ave.
Phoenix, AZ, 85003
http://www.crescentphx.com/