Stateside Presents

Beach Fossils w/ George Clanton

Beach Fossils w/ George Clanton

Why Bonnie

Fri, May 3, 2019

Doors: 7:00 pm / Show: 8:00 pm

Crescent Ballroom

Phoenix, AZ

$25.00 - $40.00

This event is 16 and over

BEACH FOSSILS
BEACH FOSSILS
The long-awaited return of Brooklyn’s Beach Fossils, Somersault showcases a band in bloom. Charting into new musical territory with a refined songwriting style, it’s an album that captures flashes of life in New York grounded in personal experience.
The band’s self-titled 2010 debut established a sound that was both minimal and enveloping. With Somersault, the group’s first release since 2013’s Clash the Truth, Beach Fossils have channeled years of experimentation into expansion and reinvention. Augmented with more complex instrumentation, including string arrangements, piano, harpsichord, flute, and sax, the new songs offer multi-layered pop guided by sharp, poignant, and honest lyrics.
As the band’s first release on Dustin Payseur’s new label Bayonet Records, which he co-owns with wife Kate Garcia—the group made the most of their newfound independence, investing ample time in expanding its range both musically and lyrically. While Payseur handled the bulk of the songwriting duties in the past, Somersault is a true collaboration between the founding member and bandmates, Jack Doyle Smith and Tommy Davidson. The new songs speak to a more fluid, eclectic sound, filled with lush compositions formed by studio experiments and sam-pling of the band’s own recordings.
Orchestral pop gem “Saint Ivy” shines with plucked strings, buoyant basslines and a propulsive, wayward, guitar. “Tangerine,” a driving, tightly wound melody, rushes forward and briefly leaves the ground due to the gossamer guest vocals of Slowdive’s Rachel Goswell. The effervescent “Rise,” which hinges on the spoken word of Gavin Mays (Cities Aviv) discussing a failed rela-tionship, hangs, like many recent breakups, in a sense of suspension. The cloudy, wistful “Soci-al Jetlag,” bustling with samples of crowded streets, features the type of candid, off-the-cuff lyr-ics that make the entire effort immediately illuminating.
Recorded at multiple studios across New York City, a cabin in upstate New York, and even Los Angeles (including the home studio of Jonathan Rado of Foxygen, who helped engineer part of the album), Somersault turns the newfound chemistry between the trio into a sonic tapestry. Due to the variety of sessions and recording locations, the album was a Frankenstein-like series of reworking and reimagining songs. As the group pieced together different parts in a cycle of creation and cooption, and built out more elaborate songs track by track, the process became more reminiscent of a record created via sampling and arranging than one built by simply grind-ing out riffs. The long-simmering album, filled with breezy music both melancholic and uplifting, sees the band channeling their voices and honing their craft.
Flowing between shimmering compositions and immersive soundscapes, Somersault evokes the laid-back mood of a warm, breezy city night, the air crackling with humidity and excitement. These songs pulse and pull, capturing a blend of promise and heartache. It’s beautiful and lay-ered, a refined, sweeping creation that threads together numerous styles, textures, and themes into a refreshing, singular vision.
GEORGE CLANTON
GEORGE CLANTON
George Clanton first became a known in 2011 as an early leader in the sample-based subgenre “Vaporwave” using the anonymous moniker “ESPRIT 空想”. His 2014 release Virtua.zip is considered by many to be the first vaporwave album composed wholly of original compositions. In 2015, Clanton temporarily dropped the monikers and released an album of vocal-driven pop songs. This record, 100% Electronica was named one of top 10 albums of 2015 by Gorilla Vs Bear. In 2016, Clanton was invited to open for Sophie and Charli XCX at Gorilla Vs Bear’s 2016 SXSW showcase, which Yahoo Music called “the best thing we saw at SXSW all week.”
Following that performance George Clanton formed a record label with his girlfriend Negative Gemini, also called “100% Electronica.” They have been touring and releasing new music from other notable internet niche artists ever since. One of the most notable releases was Clanton’s own remix album 200% Electronica, which sold all 1000 copies within a month of its release in November 2017.
On August 18th 2018, George premiered his latest album Slide in front of a sold out audience at Brooklyn New York’s “Elsewhere”. Shortly after selling out all copies on pre-order reservations alone, Slide went on to receive positive reviews from Pitchfork and The Needle Drop where Anthony Fantano deemed it “orgasmic.”.
Venue Information:
Crescent Ballroom
308 N. 2nd Ave.
Phoenix, AZ, 85003
http://www.crescentphx.com/